Selection publications and talks

 

Mencía M. (ed)(forthcoming) #WomenTechLit, West Virginia University Press.

Mencía M. (forthcoming) Transient Self-Portrait: The Data Self in #WomenTechLit, West Virginia University Press.

 

Mencía M. (forthcoming) Gateway to the World: Data Visualisation Poetics in Gramma: Journal of Theory and Criticism. (peer reviewed)

 

Mencía M. & Husárová Z. (eds) (2015) Repurposing in Electronic Literature, ENTER magazine, issue 16, dive buki, Slovakia. http://www.divebuki.sk/en/enter-magazine?lang=en

 

Mencía M. 2015   KEYNOTE, Launch event, Centre for World Cinemas and Digital Cultures, University of Leeds.

Mencía M. (2015) KEYNOTE, UCA, University of Cádiz, Spain;

 

Mencía M. (2015) KEYNOTE, Awards ceremony, New Media Writing Price 2014, Bournemouth University, UK;

 

Mencía M. (2014) Presenter, Digital Research in the Humanities and Art (DRHA), University of Greenwich, London, UK;


Mencía M. (2014) KEYNOTE, Language-Art Digital Poetics: An exploration of digital textualities in the production of artistic research. Third Workshop on Computational Linguistics for Literature, Gotenburg, Sweden;

 

Mencía M. (2013) Invited Speaker, Women Shift Digital, A Conference to Celebrate Women in Digital Careers, Body>Data>Space>Canary Warf, London;

 

Mencía M. (2013) Chair of E-Poetry 2013 Conference and Festival, Kingston University, UK;


Mencía M. (2013) Chair Pedagogic Colloquium, Kingston University, UK;


Mencía M. (2013) Chair Code Interactive #1 Kingston University & Watermans Art Centre.

 

Mencía M. (2013)  KEYNOTE, NUIM Digital Arts Showcase, Hosted by the Centre for Media Studies and the Digital Arts Research Cluster National University of Ireland, Maynooth;

 

Mencía M. (2012) Connected Memories, ELMCIP Anthology of European Electronic Literature, T. Memmott, M. Engberg, D.Prater (eds)

 

Mencía, M. (2012) KEYNOTE, ReadWrite Digital Textualities: Searching for New Languages, MIX: A Conference Exploring Transmedia Writing & Digital Creativity, Bath Spa University, UK

 

June 2010, convener of roundtable: From the Page to the Screen to Augmented Reality: new Modes of Language-Driven Mediated Research, Kingston University. <connect> <video> <Prof. David Jay Bolter>

 

Mencía M.& Fletcher J. (eds) (2011) From the Page to the Screen to Augmented Reality: New Modes of Language-Driven Mediated Research, Journal of Writing in Creative Practice (Volume 4, Issue 1) <connect>

 

Mencía, M. (2011) Connected Memories: Contextualising creative research practice, in Mencía M. & Fletcher J. (eds), From the Page to the Screen to Augmented Reality: New Modes of Language-Driven Mediated Research, Journal of Writing in Creative Practice, 4:1, pp. 37-51, doi:10.1386/jwcp.4.1.37_1 <connect>

 

Mencía M. (2011) Open meaning in digital writing. Open Media Research Seminar series, Coventry University. <listent to podcast>

 

Mencía M, (2011) New Media ArtPoetry: A Reflection on Practice, Naples: Atelier Multimediale edizione.

 

Mencía M. (2009) Another Kind of Language in Artists with PhDs: On the New Doctoral Degree in Studio Art, ed. J Elkins. New Academia Publishing, USA.

 

Mencía M. (Sept. 2006) Birds Singing Other Birds' Songs, First volume of the Electronic Literature Collection, K. Hayles, N. Montfort, S. Rettberg, S. Strickland eds. The Electronic Literature Organization, UCLA Department of English, Los Angeles. <connect>

 

Mencía, M. (2003) From Visual Poetry to Digital Art: Image-Sound-Text Convergent Media and the Development of New Media Languages Ph.D. thesis, London, Chelsea College of Art and Design, University of the Art, London.

 

Selection: reviews, critiques, articles

 

Shackelford L. (2014) Migrating Modes: Multimodality in E-Poetics as Another Kind of Language in Mosaic: a journal for the interdisciplinary study of literature, Vol.47 No.4

 

Hayles N. Katherine, (2012) María Mencía: Transforming The Relation between sound and mark in Between Page and Screen, Remaking Literature Through Cinema and Cyberspace. K.Brillenberg (ed.) Fordham University Press.

 

Raley R. (2011) Another Kind of Global English, The Minnesota Review, a journal of creative and critical writing, issue 78

 

Borrás L. (2010) From ‘words, words, words’ to ‘birds, birds, birds’. Literature between the representation and the presentation: where imagination and reflection still in Mencía M. & Fletcher J. (eds), From the Page to the Screen to Augmented Reality: New Modes of Language-Driven Mediated Research, Journal of Writing in Creative Practice, 4:1

 

Hayles N.Katherine, (2008) Electronic Literature: New Horizons for the Literary (Ward-Phillips Lectures in English Language & Literature), University of Notre Dame Press.

 

Funkhouser C. T. (2007) Prehistoric Digital Poetry, Archeology of Forms, 1959-1995, Tuscaloosa: University of Alabama Press.

 

Hayles N. Katherine, Intermediation: The Pursuit of a Vision
New Literary History - Volume 38, Number 1, Winter 2007, pp. 99-125-<pdf>

 

Hayles N. Katherine, (Oct 2006) discusses work at Tate Modern, e-eye: art and poetry between the electronic and the visual. The Dynamics of Appearance.<link>

 

Hayles N. Katherine, Literature and the Literary: Why Electronic Literature is Key to Their Future. <link>

 

Morris A. & Swiss T. eds. (2006) New Media Poetics : Contexts, Technotexts, and Theories, Cambridge, Mass.; London: MIT Press.

 

Strehovec J. (2010) Alphabet on the Move, in Reading Moving Letters, Simanowski et. al (eds) Bielefeld : Transcript Verlag

 

Rettberg S.Dada Redux: Elements of Dadaist Practice in Contemporary Electronic Literature, in Fibre Culture, Issue 11-digital arts and culture conference (perth issue) <link>

 

Wright T. Word magic: The how of reading, On the electronic literature collection, in in Realtime 78 magazine (April-May 2007, issue) . <link>